Like the black metal thing, it was kind of a slow process getting in there. I mean, people see a white guy in the ghetto with a camera and it looks kinda suspicious, I get that. Well, I actually think it was a little easier to get accepted halfway round the world in Norway than it was it my own back yard of Houston. So, the Houston rap scene - how was that? I've branched off more now into other types of photography that don't necessarily involve people, but yeah, I've always been interested in counter-culture subcultures. I grew up outside of Houston, so I sort of witnessed that scene from afar, so both of those were the two places I really wanted to be a fly on the wall and experience these two vastly different worlds. Peter Beste: Yeah, I've always been attracted to musical subcultures and the black metal and Houston projects were ones that meant a lot to me because I'd had fascinations with both as a kid. A lot of your work in the past seems to be based around musical subcultures, is it something about the uniformed vibe that draws you to projects like that?
0 Comments
Leave a Reply. |